Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco
Pyotr Ilyich Tchaikovsky, Andrei Gavrilov, Riccardo Muti, Philharmonia Orchestra
Prokofiev/Tchaikovsky: Piano Concertos etc.
6:46 August 24, 1992
BPM
159
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco - Pyotr Ilyich Tchaikovsky, Andrei Gavrilov, Riccardo Muti, Philharmonia Orchestra Information

Acousticness
96%
Danceability
30%
Energy
24%
Instrumentalness
87%
Liveness
11%
Loudness
71%
Speechiness
4%
Valence
33%
Popularity
Loudness
-17.654 dB

Summary

Pyotr Ilyich Tchaikovsky, Andrei Gavrilov, Riccardo Muti, Philharmonia Orchestra's 'Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco' came out on August 24, 1992. Since Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Prokofiev/Tchaikovsky: Piano Concertos etc.". In this album, this song's track order is #3. Based on our statistics, Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco BPM

With Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco by Pyotr Ilyich Tchaikovsky, Andrei Gavrilov, Riccardo Muti, Philharmonia Orchestra having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.

Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: IV. Marche au suppliceHector Berlioz, London Symphony Orchestra, Sir Colin DavisB♭ Major16B155 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante by Franz Schubert, Krystian Zimerman4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: AndanteFranz Schubert, Krystian ZimermanF♯ Major02B61 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King by Edvard Grieg, Esa-Pekka SalonenPeer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain KingEdvard Grieg, Esa-Pekka SalonenB Minor210A104 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraTchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian DancePyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraA Minor18A74 BPM
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) by Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerConcerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro)Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerE♭ Major25B87 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A91 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal DorátiThe Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. ValsePyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal DorátiB♭ Major26B102 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: III. The Young Prince and the Young PrincessNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoG Major09B103 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8689825534820557

End: 0.8747231960296631