Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss's 'Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333)' came out on August 14, 2015. The duration of Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 25 Strauss Favorites, so we believe that "Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333)" is a single. The popularity of Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333) by Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 92 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM |
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