"Medee: Ah, funestes revers (Creuse, Chorus)" by Marc-Antoine Charpentier, Irma Kolassi, Nadine Sautereau, Paul Derenne, Doda Conrad, Flore Wend, Studio ensemble, Nadia Boulanger had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Medee: Ah, funestes revers (Creuse, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 29 in Charpentier, M.-A.: Medee / Monteverdi, C.: Madrigals (Boulanger) (1937, 1953) by Paul Derenne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Medee: Ah, funestes revers (Creuse, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Medee: Ah, funestes revers (Creuse, Chorus) by Marc-Antoine Charpentier, Irma Kolassi, Nadine Sautereau, Paul Derenne, Doda Conrad, Flore Wend, Studio ensemble, Nadia Boulanger is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 4 in D Major, WoO 4: V. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: Les Planètes - Entrée du Roy représentant le Soleil levant - Entrée des Génies | Anonymous, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 1 | 11A | 62 BPM | ||
Quatrième Concert: Forlane. Rondeau - Gayement (Couperin) | Le Concert Des Nations, Jordi Savall | D Major | 2 | 10B | 100 BPM | ||
Médée, H. 491, Act II: Récit et duo. "Sans m'étonner j'écoute mon arrêt" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Thomas Dolie | G Minor | 3 | 6A | 64 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: X. Agnus Dei | Marc-Antoine Charpentier, Les Arts Florissants, Kaori Uemura, Anne Marie Lasla, William Christie | D♭ Minor | 0 | 12A | 78 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Les plaisirs: Air pour le Vieillard et sa Famille | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 118 BPM |