Robert Schumann, Youri Egorov's 'Kreisleriana, Op. 16: I. Agitato assai' came out on January 25, 2021. The duration of Kreisleriana, Op. 16: I. Agitato assai is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Kreisleriana, Op. 16: I. Agitato assai's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work - Schumann by Robert Schumann. The song's track number on the album is #30 out of 122 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Kreisleriana, Op. 16: I. Agitato assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kreisleriana, Op. 16: I. Agitato assai by Robert Schumann, Youri Egorov has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kreisleriana, Op. 16: I. Agitato assai being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevska | C Major | 0 | 8B | 87 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Adagio and Allegro, Op. 70 (version for cello and piano): Adagio | Franz Schubert, Maria Kliegel, Kristin Merscher | A♭ Major | 0 | 4B | 164 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |
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