Felix Mendelssohn, Mischa Maisky, Sergio Tiempo's 'Sonata No.2 in D Major for Cello & Piano, Op.58, MWV Q32: 1. Allegro assai vivace' came out on January 1, 2002. Since Sonata No.2 in D Major for Cello & Piano, Op.58, MWV Q32: 1. Allegro assai vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Mischa Maisky, Sergio Tiempo's "Mendelssohn: Cello Sonatas; Songs Without Words" album is number 1 out of 23. Sonata No.2 in D Major for Cello & Piano, Op.58, MWV Q32: 1. Allegro assai vivace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No.2 in D Major for Cello & Piano, Op.58, MWV Q32: 1. Allegro assai vivace by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 128 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 106 BPM | ||
Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 10. Fughetta. a 1 Clav. - Variatio 11. a 2 Clav. - Variatio 12. Canone alla Quarta. a 1 Clav. | Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky | E Minor | 0 | 9A | 80 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Octet In E Flat, Op.20, MWV R20: 1. Allegro moderato, ma con fuoco | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | E♭ Major | 1 | 5B | 133 BPM | ||
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
3 Romances for Violin and Piano, Op. 22: II. Allegretto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | G Minor | 0 | 6A | 93 BPM |
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