Charming Disaster's 'Blue Bottle Blues' came out on June 7, 2019. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Spells + Rituals". In this album, this song's track order is #5. In terms of popularity, Blue Bottle Blues is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Blue Bottle Blues by Charming Disaster having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Osiris | Charming Disaster | A Minor | 6 | 8A | 126 BPM | ||
Strange Days | Coyote Kid | D Major | 7 | 10B | 153 BPM | ||
Dead Girls Tell No Tales | Sarah and the Safe Word | F Minor | 8 | 4A | 170 BPM | ||
Cut | The Scarring Party | C Major | 7 | 8B | 209 BPM | ||
Joy! Joy! JoooOOY! | The Narcissist Cookbook | G Major | 6 | 9B | 126 BPM | ||
That Unwanted Animal | The Amazing Devil | G Minor | 6 | 6A | 136 BPM | ||
Rule #12 - Through the Tides | Fish in a Birdcage | G Major | 1 | 9B | 96 BPM | ||
Realization That We Are a Computer Simulation | Emily Axford | A♭ Major | 2 | 4B | 99 BPM | ||
The Great Beyond | Marah in the Mainsail | D Minor | 4 | 7A | 111 BPM | ||
Map | Jason Webley | D Minor | 2 | 7A | 141 BPM |
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