"The Man I Love" by George Gershwin, Hannah Lam Hau Kiu had its release date on April 25, 2022. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Man I Love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Reminiscence: 5th Year Anniversary". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The Man I Love is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Man I Love by George Gershwin, Hannah Lam Hau Kiu having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Little Serenade | Ernest Tomlinson, Pro Arte Orchestra, George Weldon | A Major | 0 | 11B | 142 BPM | ||
Jamaican Rumba | Arthur Benjamin, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | C Major | 4 | 8B | 88 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |