Herman Bellstedt, Fazakas Ilona Simon, Brian L. Bowman, Cincinnati Wind Symphony, Eugene Migliaro Corporon's 'Napoli Variations (arr. for wind orchestra)' came out on January 1, 1995. With this song being about 5 minutes long, at 5:12, "Napoli Variations (arr. for wind orchestra)" by Herman Bellstedt, Fazakas Ilona Simon, Brian L. Bowman, Cincinnati Wind Symphony, Eugene Migliaro Corporon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 16 in Cincinnati Wind Symphony: American Variations by Brian L. Bowman, Eugene Migliaro Corporon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Napoli Variations (arr. for wind orchestra)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Napoli Variations (arr. for wind orchestra) by Herman Bellstedt, Fazakas Ilona Simon, Brian L. Bowman, Cincinnati Wind Symphony, Eugene Migliaro Corporon is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): X. In trutina (I am suspended between love and chastity) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | D Major | 0 | 10B | 145 BPM | ||
Suite française : III. Île-de-France | Gérard Besse, Big Band des équipages de la flotte de Toulon, Denis Fourio | C Major | 3 | 8B | 167 BPM | ||
A Hymn for Band | Hugh Stuart, Concordia University Chicago Wind Symphony, Richard Fischer | B♭ Major | 0 | 6B | 65 BPM | ||
The Wind in the Willows: I. The River | Johan de Meij, Danish Concert Band | D Minor | 0 | 7A | 81 BPM | ||
T-bone Concerto: II. Medium | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | F Major | 1 | 7B | 86 BPM | ||
The Great Escape | Tredegar Town Band | A♭ Major | 1 | 4B | 123 BPM | ||
Four Scottish Dances Op. 59 | US Army Band | D Major | 1 | 10B | 71 BPM | ||
Greek Folk Song Suite, Op. 25: I. O Charalambis | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | A♭ Major | 2 | 4B | 65 BPM | ||
Concerto For Alto Saxophone Pt. 2 | Ronald Binge, Polizeimusikkorps Baden-Württemberg, Toni Scholl | D♭ Major | 2 | 3B | 146 BPM | ||
EOS (The Goddess of Dawn) | Militärmusik Niederösterreich | B♭ Major | 2 | 6B | 156 BPM |
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