"Czech Dances, Book 2: Little Hen" by Bedřich Smetana, Elizabeth Joy Roe was released on January 1, 2010. The duration of Czech Dances, Book 2: Little Hen is about 3 minutes long, at 3:09. Based on our data, "Czech Dances, Book 2: Little Hen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Elizabeth Joy Roe's "Images Poetiques" album is number 4 out of 23. On top of that, South Korea appears to be the country where this track was created. Czech Dances, Book 2: Little Hen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Czech Dances, Book 2: Little Hen by Bedřich Smetana, Elizabeth Joy Roe to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač) | Bedřich Smetana, Prague National Theatre Orchestra, Jaroslav Vogel, Ivo Zidek, Karel Kalaš | G Major | 4 | 9B | 74 BPM | ||
The Bartered Bride: ACT II, Scene 6. Kecal Pojďte, lidičky | Bedřich Smetana, Jozef Benci, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 143 BPM | ||
The Kiss, JB 1:104, Act II, Scene 5: What a Dark Forest! (Vendulka, dcera Palouckého, Martinka, Vendulčina stará teta, Matouš, starý pašíř) | Bedřich Smetana, Ludmila Červinková, Marta Krásová, Vladimír Jedenáctík, Prague National Theatre Orchestra, Zdeněk Chalabala | G Major | 0 | 9B | 164 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM |
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