"The Gartan Mother's Lullaby - SATB" by Alan Bullard, Traditional, Oxford University Press, Commotio Chamber Choir, Griselda Sherlaw-Johnson was released on August 15, 2019. The duration of The Gartan Mother's Lullaby - SATB is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Gartan Mother's Lullaby - SATB's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Oxford Book of Flexible Choral Songs". In this album, this song's track order is #14. Based on our statistics, The Gartan Mother's Lullaby - SATB's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gartan Mother's Lullaby - SATB by Alan Bullard, Traditional, Oxford University Press, Commotio Chamber Choir, Griselda Sherlaw-Johnson having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord's my shepherd - SABar | Bob Chilcott, Oxford University Press, The Oxford Choir, Alan Bullard | F Major | 0 | 7B | 85 BPM | ||
Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): IV. Lesquercarde | Sir Thomas Beecham, Royal Philharmonic Orchestra | B Major | 5 | 1B | 137 BPM | ||
A. Scotto: Orchestral Set n.1 "Counterpoints" (Variations and fugue) | Aurelio Scotto, Symphony Chamber Orchestra 2001 | G Major | 1 | 9B | 87 BPM | ||
Schubert / Arr. Pontier: An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Stroll(arr. Takafumi Hikage) | Joe Hisaishi, Quartet Fresco Vessel | D Major | 2 | 10B | 119 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442b | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 141 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. Adagio | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Used to Myself | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM |
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