"Concerto VII in La Maggiore RV 160: Andante" by Modo Antiquo, Federico Maria Sardelli was released on January 26, 2007. With Concerto VII in La Maggiore RV 160: Andante being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #19 out of 35 tracks. Concerto VII in La Maggiore RV 160: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto VII in La Maggiore RV 160: Andante by Modo Antiquo, Federico Maria Sardelli has a tempo of 0 beats per a minute, the tempo markings of this song would be Larghissimo. With Concerto VII in La Maggiore RV 160: Andante being at 0 BPM, the half-time would be 0 BPM with a double-time of 0 BPM.In addition, we consider the tempo speed to be pretty slow for this song.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto II in Mi minore RV 133: Largo | Modo Antiquo, Federico Maria Sardelli | B Minor | 1 | 10A | 96 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): II. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 134 BPM | ||
Concerto III Do minore RV 119: Largo | Modo Antiquo, Federico Maria Sardelli | C Minor | 0 | 5A | 81 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 1: V. Largo | Arcangelo Corelli, Modo Antiquo, Federico Maria Sardelli | E Major | 1 | 12B | 107 BPM | ||
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 3. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 2 | 11B | 144 BPM | ||
Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 2. Largo | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 99 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 9: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 137 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM |
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