"Études-Tableaux, Op. 39: No. 5 in E-Flat Minor" by Sergei Rachmaninoff, Yuja Wang was released on November 25, 2020. With this song being about 5 minutes long, at 4:36, "Études-Tableaux, Op. 39: No. 5 in E-Flat Minor" by Sergei Rachmaninoff, Yuja Wang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 123 in the song's album "Rachmaninov - Piano". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Études-Tableaux, Op. 39: No. 5 in E-Flat Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Études-Tableaux, Op. 39: No. 5 in E-Flat Minor by Sergei Rachmaninoff, Yuja Wang having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
Liebeslied (arr. S. Rachmaninov) | Fritz Kreisler, Sergei Rachmaninoff, Wilhelm Backhaus | A Major | 0 | 11B | 84 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Theme and Variations on the name Abegg, Op. 1: Abegg Variations, Op. 1 | Robert Schumann, Kotaro Fukuma | F Major | 1 | 7B | 99 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
Ne zazhigy ognya !, Op. 38, No. 3 | Anton Arensky, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 93 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM |
Section: 0.7051007747650146
End: 0.7105274200439453