12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave
Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo
Albinoni: Trio Sonatas, Op. 1
1:54 March 1, 2016
BPM
93
Key
F Major
Camelot
7B

Embed

Share Link

12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave - Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo Information

Acousticness
88%
Danceability
12%
Energy
9%
Instrumentalness
0%
Liveness
10%
Loudness
70%
Speechiness
4%
Valence
11%
Popularity
Loudness
-18.122 dB

Summary

"12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave" by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo was released on March 1, 2016. With 12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 48 in Albinoni: Trio Sonatas, Op. 1 by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave BPM

The tempo marking of 12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

12 Trio Sonatas, Op. 1, Sonata II in F Major, Talm I, 2: I. Grave Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 1 in B-Flat Major, Op. 2, Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA Major211B120 BPM
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux by Christoph Willibald Gluck, Wilhelm KempffOrfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureuxChristoph Willibald Gluck, Wilhelm KempffF Major07B73 BPM
Armide: Overture by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownArmide: OvertureJean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownB♭ Major16B70 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846Luc BeauséjourB Major31B78 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail JurowskiSpartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail JurowskiE Major212B123 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : IV. AllegroArcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaD Major310B129 BPM
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio by Franz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasSonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. AdagioFranz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasE Major012B91 BPM
Chanson de Matin, Op.15, No.2 by Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddChanson de Matin, Op.15, No.2Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddG Major19B89 BPM
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John GeorgiadisConcerto for 2 Oboes in C Major, Op. 7, No. 2: I. AllegroTomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John GeorgiadisC Major28B100 BPM
Kol Nidrei, Op. 47 by Max Bruch, Jan Vogler, Helmut BrannyKol Nidrei, Op. 47Max Bruch, Jan Vogler, Helmut BrannyD Major110B136 BPM
ISRC
NLY331500712
Label
L-M Records/RCA Records

Section: 0.7070229053497314

End: 0.7107362747192383