Wolfram Von Eschenbach's 'Kapitel 18.2 & Kapitel 19.1 - Parzival' came out on May 21, 2021. The duration of Kapitel 18.2 & Kapitel 19.1 - Parzival is about 3 minutes long, at 3:05. Based on our data, "Kapitel 18.2 & Kapitel 19.1 - Parzival" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "Parzival (Ein Heldenepos aus dem Mittelalter nach Wolfram von Eschenbach)". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Germany. In terms of popularity, Kapitel 18.2 & Kapitel 19.1 - Parzival is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Kapitel 18.2 & Kapitel 19.1 - Parzival by Wolfram Von Eschenbach having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
Rondeau-refrain | Matteo da Perugia, Ferrara Ensemble, Crawford Young | G Minor | 0 | 6A | 81 BPM | ||
Cantiga No. 10, "Rosa das rosas": Rosa das rosas (CSM 10) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 0 | 8B | 134 BPM | ||
Jouissance | Giovanni Antonio Terzi, Hille Perl | C Major | 0 | 8B | 96 BPM | ||
Pass'emezzo antico: Recercada quinta | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | F♯ Minor | 2 | 11A | 84 BPM | ||
Cantigas de Santa Maria, No. 340: Virgen Madre Groriosa | Alfonso X El Sabio, Esther Lamandier | G Major | 1 | 9B | 82 BPM | ||
Presanctified Liturgy: Hymn of the Great Entrance | Choir of the Monks of Chevetogne | B♭ Minor | 1 | 3A | 170 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM | ||
Taunder naken | The City Waites | D Minor | 3 | 7A | 118 BPM |
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