"Christus hat einmal für die Sünde gelitten, TWV 1:140: V. Der Zorn des Höchsten war entbrannt" by Georg Philipp Telemann, Larissa Botos, Gutenberg Soloists, Neumeyer Consort, Felix Koch was released on January 14, 2022. With Christus hat einmal für die Sünde gelitten, TWV 1:140: V. Der Zorn des Höchsten war entbrannt being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Christus hat einmal für die Sünde gelitten, TWV 1:140: V. Der Zorn des Höchsten war entbrannt is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Christus hat einmal für die Sünde gelitten, TWV 1:140: V. Der Zorn des Höchsten war entbrannt by Georg Philipp Telemann, Larissa Botos, Gutenberg Soloists, Neumeyer Consort, Felix Koch is Grave (very slow), since this song has a tempo of 34 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: III. Allegro | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D♭ Minor | 1 | 12A | 90 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: IV. Postillons | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 118 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM |
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