"Aida: Se Quel Guerrier... Celeste Aida" by Jussi Björling, RCA Victor Orchestra, Renato Cellini was released on March 3, 1931. With this song being about 5 minutes long, at 4:41, "Aida: Se Quel Guerrier... Celeste Aida" by Jussi Björling, RCA Victor Orchestra, Renato Cellini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #68. Furthermore, we believe that the track originated from Germany. Aida: Se Quel Guerrier... Celeste Aida is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aida: Se Quel Guerrier... Celeste Aida by Jussi Björling, RCA Victor Orchestra, Renato Cellini having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Under rönn och syrén | Herman Palm, Lunds Studentsångare, Mats Paulson | F♯ Major | 0 | 2B | 166 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Dans i de saligas ängder ur Orpheo ed Euridice | Karl-Magnus Fredriksson | F Major | 0 | 7B | 72 BPM | ||
Rigolettoquesta O Quell | Verdi, Jussi Björling | C Minor | 5 | 5A | 66 BPM | ||
Bizet's Les Pecheurs de perles: Je Crois Entendre Encore | Jussi Björling | C Minor | 3 | 5A | 91 BPM | ||
Ur Frosoblomster: I. Sommarsang (Summer Song) | Wilhelm Peterson-Berger, Norrköping Symphony Orchestra, Michail Jurowski | F Major | 0 | 7B | 82 BPM | ||
Romans, Ur Pastoralsvit, Op. 19 | Stockholms Filharmoniska Orkester/Ulf Björlin | E♭ Major | 1 | 5B | 77 BPM | ||
Dies Bildnis ist bezaubernd schön | Fritz Wunderlich | E♭ Major | 1 | 5B | 131 BPM |
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