Robert Schumann, Martha Argerich made "Fantasia in Do Magg, Op. 17: Langsam getragen. Durchweg leise zu halten - etwas bewegter" available on January 15, 1976. Since Fantasia in Do Magg, Op. 17: Langsam getragen. Durchweg leise zu halten - etwas bewegter is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Schumann: Fantaisie, Fantasiestücke - Argerich". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. In terms of popularity, Fantasia in Do Magg, Op. 17: Langsam getragen. Durchweg leise zu halten - etwas bewegter is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Fantasia in Do Magg, Op. 17: Langsam getragen. Durchweg leise zu halten - etwas bewegter by Robert Schumann, Martha Argerich having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 77 BPM | ||
Fantasia in C minor, K.475: Andantino | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 142 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 2. Adagio | Franz Joseph Haydn, Alfred Brendel | G Major | 1 | 9B | 100 BPM | ||
Années de pèlerinage I, S. 160: IX. Les cloches de Genève | Franz Liszt, Lazar Berman | E Major | 2 | 12B | 70 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Lieder ohne Worte, Op.85: No. 1. Andante espressivo in F, MWV U 189 | Felix Mendelssohn, Daniel Barenboim | F Major | 0 | 7B | 72 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Piano Sonata in B Minor, S. 178: Lento assai - Allegro energico | Franz Liszt, Martha Argerich | B Minor | 4 | 10A | 168 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento (Live) | Dmitri Shostakovich, Martha Argerich, Mischa Maisky, Renaud Capuçon, Alissa Margulis, Lyda Chen | D Minor | 1 | 7A | 84 BPM |
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