"Lacrymosa (From Darkness to Light)" by Jonathan Willcocks, Southwestern Seminary Oratorio Chorus, Festival Brass, Festival Orchestra was released on January 1, 2010. The duration of Lacrymosa (From Darkness to Light) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Lacrymosa (From Darkness to Light)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 11 in From Darkness to Light and Lux Aeterna by Southwestern Seminary Oratorio Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Lacrymosa (From Darkness to Light) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lacrymosa (From Darkness to Light) by Jonathan Willcocks, Southwestern Seminary Oratorio Chorus, Festival Brass, Festival Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Truly Lack for Nothing | Laestadian Lutheran Church, Liisa Keranen | E Minor | 1 | 9A | 88 BPM | ||
Magnificat: I. Magnificat | Jonathan Willcocks, English Cathedral Singers, Jane Watts, Wallace Collection, Royal Academy Brass | B♭ Major | 2 | 6B | 109 BPM | ||
An Old Irish Blessing | Andrew Smith, Caritas Chamber Choir, Benedict Preece, Catherine Futcher | D Major | 1 | 10B | 87 BPM | ||
Evry Stone Crys | Nicolas Fayolle | B♭ Major | 1 | 6B | 95 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM | ||
I Am the Good Shepherd | unknown origin, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Mass in D major, Op. 86: 4. Sanctus | Antonín Dvořák, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | D Major | 2 | 10B | 101 BPM | ||
In Praise of Singing: II. That Music Always Round Me | Jonathan Willcocks, Gareth Brynmor John, Vox Cantab, Jane Watts, Southern Pro Musica | B♭ Major | 2 | 6B | 98 BPM | ||
Mass in D Major, Op. 86: IV. Sanctus | The Chichester Singers, Richard Barnes, Jonathan Willcocks | C Minor | 1 | 5A | 102 BPM | ||
Wintertide | Sofia Kammarkör, Henrik Arlestrand, Ola Gjeilo | A Minor | 1 | 8A | 88 BPM |
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