George Frideric Handel, Danny Driver's 'Suite No. 3 in D Minor, HWV 428: I. Prelude' came out on April 27, 2014. With Suite No. 3 in D Minor, HWV 428: I. Prelude being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Danny Driver's "Handel: The 8 Great Suites for Keyboard" album is number 9 out of 47. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Suite No. 3 in D Minor, HWV 428: I. Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 3 in D Minor, HWV 428: I. Prelude by George Frideric Handel, Danny Driver to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer: Variatio 14 | Johann Sebastian Bach, Goldberg-Septett | A Major | 2 | 11B | 179 BPM | ||
Album für die Jugend, Op. 68, Pt. 1: No. 1, Melodie | Robert Schumann, Lars Vogt | C Major | 0 | 8B | 66 BPM | ||
Fantasia in G Minor, Wq. 117/13 | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Variations on an Original Theme, Op. 21 No. 1: Var. 7, Andante con moto | Johannes Brahms, Vladimir Feltsman | D Major | 0 | 10B | 60 BPM | ||
25 Études faciles et progressives, Op. 100: No. 13, Consolation | Franz Burgmüller, Carl Petersson | C Major | 1 | 8B | 142 BPM | ||
Fantasia in D Major, Wq. 117/14, H. 160 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 126 BPM | ||
Sonata in E Minor, Hob. XVI:34: Sonata in E Minor, Hob. XVI:34: III. Finale. Molto vivace | Joseph Haydn, Paul Lewis | B♭ Minor | 2 | 3A | 91 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 10, Knut Luråsens halling I. Moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM |
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