Alfred Newman, Kenneth Lorin Darby, Cincinnati Pops Orchestra, Erich Kunzel's 'How the West Was Won' came out on January 1, 1987. Since How the West Was Won is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Round-Up". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, How the West Was Won's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How the West Was Won by Alfred Newman, Kenneth Lorin Darby, Cincinnati Pops Orchestra, Erich Kunzel having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Timelapse (Original Short Film Soundtrack) | Milo Paulus | C Major | 0 | 8B | 140 BPM | ||
Webber: Overture to The Phantom of the Opera | Erich Kunzel, Cincinnati Pops Orchestra | B♭ Minor | 2 | 3A | 171 BPM | ||
Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 83 BPM | ||
The Hero | Mystic Symphony | D Major | 3 | 10B | 76 BPM | ||
People Alone (From "The Competition") | William Tritt, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 119 BPM | ||
Consecrated | Enigmatic Slumber | C Major | 1 | 8B | 74 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): IIb. Allegro con fuoco | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | D♭ Minor | 4 | 12A | 147 BPM | ||
Rigoletto, Act IV: "La donna è mobile" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Oz/The Ruined House - Expanded | David Shire | B♭ Major | 1 | 6B | 140 BPM | ||
Addison: Overture to Sleuth | Erich Kunzel, Cincinnati Pops Orchestra | C Minor | 2 | 5A | 77 BPM |
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