"Violin Concerto No 2: Adagio" by Otto Büchner, Munich Bach Soloists, Hanspeter Gmür was released on January 1, 1996. Since Violin Concerto No 2: Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Romantic Violin: A Love Affair (Vol. 4)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Violin Concerto No 2: Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No 2: Adagio by Otto Büchner, Munich Bach Soloists, Hanspeter Gmür having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quintet No.9 for Guitar and Strings in C, G.453 -"La ritirata di Madrid": 4. La ritirata di Madrid | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Denis Vigay | C Major | 1 | 8B | 118 BPM | ||
Largo (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | A♭ Minor | 2 | 1A | 93 BPM | ||
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 9 a 4 alla Duodecima | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 94 BPM | ||
Cello Sonata in F Minor: I. Allegro | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
Trio-Sonate In C Major, BWV 529: I. Allegro | Ton Koopman | C Major | 3 | 8B | 66 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
String Quintet in C Major, D. 956: IV. Allegretto | Endres Quartet, Fritz Kiskalt | C Major | 2 | 8B | 83 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM |
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