Voicst made "Everyday I Work on the Road - Album Edit" available on January 13, 2008. Everyday I Work on the Road - Album Edit is explicit and may not be suitable for children. With the duration being about 3:45, this song is close to the average duration of a typical track. The song is number 6 out of 12 in A Tale of Two Devils by Voicst. Based on our statistics, Everyday I Work on the Road - Album Edit's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Everyday I Work on the Road - Album Edit by Voicst is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
End Of The Line | Absynthe Minded | A Major | 8 | 11B | 137 BPM | ||
What If | Go Back To The Zoo | G Minor | 8 | 6A | 154 BPM | ||
Airplaying | Chef'Special | F Major | 7 | 7B | 124 BPM | ||
Coming To Save You | The Sunshine Underground | D♭ Minor | 10 | 12A | 135 BPM | ||
The Pharmacy | Bettie Serveert | F♯ Minor | 7 | 11A | 150 BPM | ||
Louise | Jett Rebel | A Major | 8 | 11B | 170 BPM | ||
Justine | Customs | F♯ Minor | 9 | 11A | 160 BPM | ||
Orange | Metal Molly | D♭ Major | 8 | 3B | 98 BPM | ||
The Northern Territory | Alamo Race Track | E Minor | 7 | 9A | 142 BPM | ||
Rather Be Nothing | RHEA | B♭ Minor | 10 | 3A | 174 BPM |
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