Samuel Scheidt, Choir of King's College, Cambridge, Sir David Willcocks's 'Scheidt: Ein Kind geborn zu Bethlehem, SSWV 292 - No. 9 from "Geistliche Konzerte III", 1635: "A child is born in Bethlehem" (Arr. David Willcocks)' came out on December 1, 2008. The duration of Scheidt: Ein Kind geborn zu Bethlehem, SSWV 292 - No. 9 from "Geistliche Konzerte III", 1635: "A child is born in Bethlehem" (Arr. David Willcocks) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Scheidt: Ein Kind geborn zu Bethlehem, SSWV 292 - No. 9 from "Geistliche Konzerte III", 1635: "A child is born in Bethlehem" (Arr. David Willcocks)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 51 in Christmas At King's by Choir of King's College, Cambridge. In terms of popularity, Scheidt: Ein Kind geborn zu Bethlehem, SSWV 292 - No. 9 from "Geistliche Konzerte III", 1635: "A child is born in Bethlehem" (Arr. David Willcocks) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scheidt: Ein Kind geborn zu Bethlehem, SSWV 292 - No. 9 from "Geistliche Konzerte III", 1635: "A child is born in Bethlehem" (Arr. David Willcocks) by Samuel Scheidt, Choir of King's College, Cambridge, Sir David Willcocks is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM | ||
Selig sind, die da geistlich arm sind | Johann Hermann Schein, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 81 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Tabulatura nova, Book 3, Veni Redemptor gentium, SSWV 149: Versus 1 a 4 voc | Samuel Scheidt, Christoph Lehmann | D Major | 4 | 10B | 63 BPM | ||
Rubum quem: Rubum quem | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | B Major | 1 | 1B | 176 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Congedo: Toccata settima del ottavo tono (excerpt) | Claudio Merulo, Timothy Roberts | C Major | 0 | 8B | 75 BPM |
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