"Flight, Act I: Gone. Time to be gone (Refugee, Tina, Controller, Bill, Minskwoman, Older Woman, Steward, Stewardess)" by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Mary Plazas, Claron McFadden, Richard Coxon, Anne Mason, Garry Magee was released on April 1, 2004. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 46 in Dove: Flight by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Claron McFadden, Richard Coxon, Mary Plazas, Nuala Willis, Ann Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Flight, Act I: Gone. Time to be gone (Refugee, Tina, Controller, Bill, Minskwoman, Older Woman, Steward, Stewardess)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flight, Act I: Gone. Time to be gone (Refugee, Tina, Controller, Bill, Minskwoman, Older Woman, Steward, Stewardess) by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Mary Plazas, Claron McFadden, Richard Coxon, Anne Mason, Garry Magee is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
2 Choral songs, Op. 71: No. 1. The Shower | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM |
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