George Frideric Handel, Robert Ellis, New Symphony Orchestra, Anthony Lewis made "Semele, HWV 58, Act 3: Sinfonia: Apollo come" available on January 1, 1956. The duration of Semele, HWV 58, Act 3: Sinfonia: Apollo come is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Semele, HWV 58, Act 3: Sinfonia: Apollo come's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Jennifer Vyvyan, Anthony Lewis, The New Symphony Orchestra Of London, Helen Watts, William Herbert, Anna Pollak's "Handel: Semele" album is number 48 out of 49. On top of that, United Kingdom appears to be the country where this track was created. Semele, HWV 58, Act 3: Sinfonia: Apollo come is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Semele, HWV 58, Act 3: Sinfonia: Apollo come by George Frideric Handel, Robert Ellis, New Symphony Orchestra, Anthony Lewis to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VIII. Bourrée | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 3 | 12B | 153 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: II. Allegro - Lentement - Allegro | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 4 | 3B | 135 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XXIi. Minuet (Coro) | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 174 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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