Bach Collegium Japan, Johann Sebastian Bach made "Overture (Suite) No. 3 In D Major, BWV 1068: V. Gigue" available on August 1, 2005. The duration of Overture (Suite) No. 3 In D Major, BWV 1068: V. Gigue is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Overture (Suite) No. 3 In D Major, BWV 1068: V. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bach Collegium Japan's "Johann Sebastian Bach: 4 Orchestral Suites, BWV 1066-1069" album is number 5 out of 24. In terms of popularity, Overture (Suite) No. 3 In D Major, BWV 1068: V. Gigue is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Overture (Suite) No. 3 In D Major, BWV 1068: V. Gigue by Bach Collegium Japan, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Goldberg Variations, BWV 988: Var. 7 | Johann Sebastian Bach, Glenn Gould | G Major | 6 | 9B | 85 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Sonata in B Minor, K 27 | Domenico Scarlatti, Murray Perahia | D Major | 1 | 10B | 117 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Reinhold Friedrich, Michala Petri, Lucas Macias Navarro, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | E Minor | 1 | 9A | 81 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM |
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