Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture - Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul Information

Acousticness: 94%
Danceability: 34%
Energy: 23%
Instrumentalness: 11%
Liveness: 32%
Loudness: 72%
Speechiness: 4%
Valence: 39%
Popularity: 10%
Loudness: -16.931 dB

Summary

Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul's 'Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture' came out on January 15, 2001. Since Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 18 in Bach: Brandenburg Concerto No. 5 - Orchestral Suite No. 2 - Trio Sonata - Partita. by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten. In terms of popularity, Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture BPM

The tempo marking of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846	Lang Lang	C Major	1	8B	134 BPM
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro	Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra	A Major	1	11B	82 BPM
Oboe Concerto in B-Flat Major, Op. 9, No. 11: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	B♭ Major	3	6B	114 BPM
Trumpet Concerto in D Major, TWV 51:D7: IV. Allegro	Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf	D♭ Major	2	3B	113 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	B Minor	3	10A	119 BPM
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto	Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt	A Major	1	11B	140 BPM
Bach, JS: Flute Sonata in B Minor, BWV 1030: I. Andante	Johann Sebastian Bach, Emmanuel Pahud, Trevor Pinnock	E Minor	2	9A	123 BPM
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: II. Menuetto	Franz Joseph Haydn, Jean-Efflam Bavouzet	G Major	1	9B	110 BPM
Vivaldi: Flute Concerto in D Major, RV 429: II. Largo	Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti	D Major	0	10B	131 BPM
Dido and Aeneas: Overture	Henry Purcell, English Baroque Soloists, John Eliot Gardiner	B Minor	2	10A	166 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7600364685058594

End: 0.7634949684143066