Alexander Scriabin, Evgeny Zarafiants's '5 Preludes, Op. 16: II. Prelude No. 2 in F-Sharp Minor: Vivo' came out on February 9, 2000. With 5 Preludes, Op. 16: II. Prelude No. 2 in F-Sharp Minor: Vivo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Hong Kong. 5 Preludes, Op. 16: II. Prelude No. 2 in F-Sharp Minor: Vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Preludes, Op. 16: II. Prelude No. 2 in F-Sharp Minor: Vivo by Alexander Scriabin, Evgeny Zarafiants having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 34: No. 7 in A Major. Andante | Dmitri Shostakovich, Tatiana Nikolayeva | E Major | 0 | 12B | 129 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 1 - Universe: Ondoyant - le rêve prend forme | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Minor | 3 | 3A | 48 BPM | ||
6 Preludes, Op. 13: III. Prelude No. 3 in G Major: Andante | Alexander Scriabin, Evgeny Zarafiants | A♭ Major | 4 | 4B | 71 BPM | ||
Piano Sonata In F Minor, P. 16: I. Allegro | Ottorino Respighi, Konstantin Scherbakov | D♭ Major | 1 | 3B | 67 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Petite Suite, CD 71: IV. Ballet | Claude Debussy, Lang Lang, Gina Alice | D Major | 2 | 10B | 107 BPM | ||
Prelude in C Major, Op. 2: III. Prelude Op. 3, No. 2 | Julian Scriabin, Evgeny Zarafiants | B Minor | 1 | 10A | 137 BPM | ||
24 Preludes, Op. 11: No. 18 in F Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 2 | 4A | 81 BPM | ||
Children's Album No. 2 "Sounds of Childhood": No. 6, Two Funny Aunties Argued | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Variations sérieuses, Op. 54, MWV U156: Variation 14: Adagio | Felix Mendelssohn, Jan Lisiecki | D Major | 0 | 10B | 75 BPM |
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