Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan made "Don Quixote, Op. 35, TrV 184: Variation II (Kriegerisch)" available on January 1, 1998. With Don Quixote, Op. 35, TrV 184: Variation II (Kriegerisch) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Strauss, R.: Don Quixote; Horn Concerto No.2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Don Quixote, Op. 35, TrV 184: Variation II (Kriegerisch) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Don Quixote, Op. 35, TrV 184: Variation II (Kriegerisch) by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
Morgenblätter, Op. 279 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 96 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 93 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 143 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Symphony No.8 In F, Op.93: 3. Tempo di menuetto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 94 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 71 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation IV (Etwas breiter) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM |
Section: 0.6253039836883545
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