- BPM
- 141
- Key
- F Major
- Camelot
- 7B
Ave Maria (Arr. Fiona Pears & Ian Tilley) - Charles Gounod, Aled Jones, Russell Watson, New Zealand Sinfonietta, Tom Rainey Information
- Acousticness
- 88%
- Danceability
- 18%
- Energy
- 33%
- Instrumentalness
- 2%
- Liveness
- 12%
- Loudness
- 85%
- Speechiness
- 3%
- Valence
- 11%
- Popularity
- 0%
- Loudness
- -9.273 dB
Summary
"Ave Maria (Arr. Fiona Pears & Ian Tilley)" by Charles Gounod, Aled Jones, Russell Watson, New Zealand Sinfonietta, Tom Rainey was released on November 17, 2023. The duration of Ave Maria (Arr. Fiona Pears & Ian Tilley) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Ave Maria (Arr. Fiona Pears & Ian Tilley)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 19 in Christmas Harmonies by Aled Jones, Russell Watson, New Zealand Sinfonietta, Tom Rainey. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Ave Maria (Arr. Fiona Pears & Ian Tilley)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria (Arr. Fiona Pears & Ian Tilley) BPM
The tempo marking of Ave Maria (Arr. Fiona Pears & Ian Tilley) by Charles Gounod, Aled Jones, Russell Watson, New Zealand Sinfonietta, Tom Rainey is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Ave Maria (Arr. Fiona Pears & Ian Tilley) Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Prayer | Ellen Williams, The Dark Tenor | A♭ Major | 4 | 4B | 176 BPM | |
 | When a Child Is Born (with Johnny Mathis) | Susan Boyle, Johnny Mathis | B♭ Major | 2 | 6B | 111 BPM | |
 | Jesu, Joy Of Man's Desiring | Vicki Brown | D Major | 3 | 10B | 70 BPM | |
 | Hosanna | All Angels | F Major | 3 | 7B | 96 BPM | |
 | Away In A Manger | Mirusia | F♯ Minor | 3 | 11A | 98 BPM | |
 | He Was Despised | George Frideric Handel, The New London Chorale, Tom Parker | B♭ Major | 2 | 6B | 68 BPM | |
 | Jerusalem | Truro Cathedral Choir | D Major | 3 | 10B | 116 BPM | |
 | Thiele & Weiss / arr. Prizeman: What a Wonderful World | Bob Thiele, George David Weiss, Libera | E♭ Major | 2 | 5B | 115 BPM | |
 | Ave Maria | Vladimir Vavilov, Amira Willighagen | A Minor | 2 | 8A | 89 BPM | |
 | The Lord Is My Shepherd (Arr. Simon Lole) | Howard Goodall, Aled Jones, Russell Watson, New Zealand Sinfonietta, Tom Rainey | G Major | 4 | 9B | 145 BPM |
- ISRC
- AU2DY2300712
- Label
- L-M Records/RCA Records
Section: 0.5203292369842529
End: 0.5240128040313721