Handel, Honor Sheppard, Oriana Concert Orchestra, Alfred Deller, Max Worthley, Oriana Concert Choir, Maurice Bevan made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The praise of Bacchus then" available on February 19, 2013. With Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The praise of Bacchus then being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 27 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The praise of Bacchus then is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The praise of Bacchus then by Handel, Honor Sheppard, Oriana Concert Orchestra, Alfred Deller, Max Worthley, Oriana Concert Choir, Maurice Bevan is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: V. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | A Major | 1 | 11B | 79 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Act I - Didimus - Aria | Handel, Amor Artis Chorale, English Chamber Orchestra | G Minor | 2 | 6A | 86 BPM | ||
Oboe Quartet in F Major, K. 370: III. Rondeau | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | F Major | 1 | 7B | 85 BPM | ||
Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 92 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Mozart: Trumpet Concerto in D Major: II. Allegro moderato | Leopold Mozart, David Guerrier, Orchestre de chambre de Paris, John Nelson | D Major | 2 | 10B | 97 BPM |
Section: 0.5737886428833008
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