Antoine Reicha, Ivan Ilic's ' "Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2a, Andante poco Allegretto" was released on its scheduled release date, September 1, 2018. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2a, Andante poco Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Reicha Rediscovered, Vol. 2". In this album, this song's track order is #4. In terms of popularity, Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2a, Andante poco Allegretto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2a, Andante poco Allegretto by Antoine Reicha, Ivan Ilic having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto n°2 en Sol mineur, RV 315 "L'été", Troisième mouvement: Presto | Antonio Vivaldi, Manoug Parikian, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 1 | 8B | 97 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
幕間曲:土耳其進行曲 | 賦格樂集 | C Major | 1 | 8B | 111 BPM | ||
36 Fugues, Op. 36: No. 5. Allegretto | Antoine Reicha, Tiny Wirtz | A♭ Major | 1 | 4B | 138 BPM | ||
Scarlatti, D: Keyboard Sonata in A Major, Kk. 209 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
6 Quartetto concertans, No. 1 in B-Flat Major: II. Gratioso | Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet | B♭ Major | 1 | 6B | 90 BPM | ||
Violin Sonata No. 26 in B-Flat Major, K. 378 (arr. P. Gallois for flute and piano): II. Andantino sostenuto e cantabile | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | E♭ Major | 0 | 5B | 86 BPM | ||
Prelude in D Minor, BWV 926 | Johann Sebastian Bach, Angela Hewitt | G Major | 1 | 9B | 143 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: IV. Les trois mains | Jean-Philippe Rameau, Juho Pohjonen | C Major | 1 | 8B | 127 BPM | ||
交響曲 第40番 K.550~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM |