Rawayana's 'Resentment Joint II' came out on February 5, 2021. For a fairly short song, this song is "Resentment Joint II" is considered an explicit song with a duration of 1:46. The song is number 13 out of 15 in Cuando Los Acéfalos Predominan by Rawayana. Based on our statistics, Resentment Joint II's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Resentment Joint II by Rawayana is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kultura Babylon | Laguna Pai | G Major | 8 | 9B | 92 BPM | ||
Si El Mundo Se Acabara | LAGOS, Jambene | A Minor | 8 | 8A | 133 BPM | ||
Noche Azul | Man de Barro | D Minor | 4 | 7A | 105 BPM | ||
Aprende a Hacer Fuego | Señor Loop | G Major | 6 | 9B | 118 BPM | ||
Lógica Resbalosa | Recordatorio | C Major | 2 | 8B | 89 BPM | ||
Hasta Que Me Olvides | Quique Neira | D Major | 6 | 10B | 130 BPM | ||
Aguacate | Giorgio Siladi | A♭ Minor | 5 | 1A | 126 BPM | ||
Elefantes en el Mar | Adrian Bello, A.C.O, K.maleon | D Major | 2 | 10B | 136 BPM | ||
A Punto de Caer | Kameleba | D♭ Minor | 7 | 12A | 88 BPM | ||
Florentino | Çantamarta, Willie DeVille | A♭ Minor | 8 | 1A | 80 BPM |
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