"Alpensymphonie, Op.64: Wanderung neben dem Bache" by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli was released on January 1, 1994. The duration of Alpensymphonie, Op.64: Wanderung neben dem Bache is about 3 minutes long, at 3:00. Based on our data, "Alpensymphonie, Op.64: Wanderung neben dem Bache" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "R. Strauss: Eine Alpensinfonie op.64". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Alpensymphonie, Op.64: Wanderung neben dem Bache is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alpensymphonie, Op.64: Wanderung neben dem Bache by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | B♭ Minor | 2 | 3A | 172 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Adagio ma non troppo | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | C Major | 0 | 8B | 177 BPM | ||
Symphony No. 5, Op. 50: Ib. Adagio | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | G Major | 3 | 9B | 117 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 1 | 12A | 132 BPM | ||
Symphony No. 4 in D Minor, Op. 13, B. 41: I. Allegro | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | B♭ Minor | 1 | 3A | 68 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Adagio: Suddenly The Mandarin's Head Appears | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | E Major | 1 | 12B | 86 BPM | ||
Apollon Musagète (1947 Version) / Second Tableau: Variation d'Apollon Lento | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: II. Adagio | Antonín Dvořák, George Szell, Cleveland Orchestra | F Major | 1 | 7B | 103 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation II - Tempo della Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B Minor | 1 | 10A | 85 BPM |
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