"Eine Alpensinfonie, Op. 64, TrV 233: Auf der Alm (On the Alpine Pasture) -" by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons was released on January 6, 2017. The duration of Eine Alpensinfonie, Op. 64, TrV 233: Auf der Alm (On the Alpine Pasture) - is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Eine Alpensinfonie, Op. 64, TrV 233: Auf der Alm (On the Alpine Pasture) -'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "R. Strauss: Eine Alpensinfonie & Tod und Verklärung (Live)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Eine Alpensinfonie, Op. 64, TrV 233: Auf der Alm (On the Alpine Pasture) - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: Auf der Alm (On the Alpine Pasture) - by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons having a BPM of 37 with a half-time of 18 BPM and a double-time of 74 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a theme of Frank Bridge, Op.10: 3. March | Benjamin Britten, English Chamber Orchestra | D Minor | 2 | 7A | 165 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 2, March of the Fairies. Allegro vivace | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | B Major | 2 | 1B | 117 BPM | ||
String Quartet No. 1 in E Minor, "From my life": II. Allegro moderato - A la polka | Bedřich Smetana, Moyzes Quartet | F Minor | 1 | 4A | 91 BPM | ||
Freuet euch des Lebens, Walzer, Op. 340 | Johann Strauss II, Mariss Jansons, Wiener Philharmoniker | B♭ Major | 1 | 6B | 91 BPM | ||
Danse diabolique | Joseph Hellmesberger, Jr., Mariss Jansons, Wiener Philharmoniker | B♭ Major | 5 | 6B | 87 BPM | ||
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 0 | 8B | 109 BPM | ||
Symphony No.1 in E minor, Op.1: 2. Andante tranquillo | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 1 | 8B | 64 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Variation VI: Vivace | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | B♭ Major | 3 | 6B | 83 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Symphony No. 91 in E Flat Major, Hob. I:91: II. Andante | Joseph Haydn, Bavarian Radio Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 113 BPM |
Section: 0.7528603076934814
End: 0.7578010559082031