"King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #40. King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | G Major | 5 | 9B | 82 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variation C (Moderato) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 0 | 6B | 95 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IX. Höchste Herrscherin der Welt! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Jon Villars, London Symphony Chorus | E Major | 2 | 12B | 66 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XV. Blicket auf zum Retterblick | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, City of Birmingham Symphony Youth Chorus, Jon Villars, London Symphony Chorus, Toronto Children's Choir | E♭ Major | 2 | 5B | 70 BPM | ||
Piano Quintet in A major, D. 667 "The Trout": 3. Scherzo (Presto) | Franz Schubert, Takács Quartet, Joseph Carver, Andreas Haefliger | A Major | 2 | 11B | 111 BPM | ||
The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos | Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F♯ Major | 0 | 2B | 63 BPM | ||
Sibelius : The Bard Op.64 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Minor | 0 | 2A | 76 BPM | ||
The Firebird: Scene 1: The Firebird enters, pursued by Ivan Tsarevich | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | A Major | 0 | 11B | 139 BPM |
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