King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the
City Of Birmingham Symphony Orchestra, Sir Mark Elder
Shostakovich: Hamlet & King Lear
1:29 June 28, 2005
BPM
72
Key
C Minor
Camelot
5A

Embed

Share Link

King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the - City Of Birmingham Symphony Orchestra, Sir Mark Elder Information

Acousticness
98%
Danceability
30%
Energy
12%
Instrumentalness
96%
Liveness
10%
Loudness
73%
Speechiness
5%
Valence
14%
Popularity
Loudness
-16.297 dB

Summary

"King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #40. King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the BPM

With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

King Lear Op. 58a - 1941 Production: The Fool's ten songs - The approach of the Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegrettoJean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraG Major09B142 BPM
Symphony No. 6 in B Minor, Op. 74 Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivacePyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica AeternaG Major59B82 BPM
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variation C (Moderato) by Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony OrchestraBritten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variation C (Moderato)Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony OrchestraB♭ Major06B95 BPM
Mahler: Symphony No. 8 in E-Flat Major Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IX. Höchste Herrscherin der Welt!Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Jon Villars, London Symphony ChorusE Major212B66 BPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
Mahler: Symphony No. 8 in E-Flat Major Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XV. Blicket auf zum RetterblickGustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, City of Birmingham Symphony Youth Chorus, Jon Villars, London Symphony Chorus, Toronto Children's ChoirE♭ Major25B70 BPM
Piano Quintet in A major, D. 667 Piano Quintet in A major, D. 667 "The Trout": 3. Scherzo (Presto)Franz Schubert, Takács Quartet, Joseph Carver, Andreas HaefligerA Major211B111 BPM
The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos by Sir Simon Rattle, City Of Birmingham Symphony OrchestraThe Young Person's Guide to the Orchestra, Op.34: Var.G: CellosSir Simon Rattle, City Of Birmingham Symphony OrchestraF♯ Major02B63 BPM
Sibelius : The Bard Op.64 by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius : The Bard Op.64Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraE♭ Minor02A76 BPM
The Firebird: Scene 1: The Firebird enters, pursued by Ivan Tsarevich by Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris NelsonsThe Firebird: Scene 1: The Firebird enters, pursued by Ivan TsarevichIgor Stravinsky, City Of Birmingham Symphony Orchestra, Andris NelsonsA Major011B139 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.2054228782653809

End: 1.2098491191864014