Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore made "Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Basta, basta o compagni" (Orfeo)" available on April 26, 2024. With Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Basta, basta o compagni" (Orfeo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore's "Gluck: Orfeo ed Euridice, Wq. 30" album is number 3 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Basta, basta o compagni" (Orfeo)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Basta, basta o compagni" (Orfeo) by Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": I. Overture | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VI. Harlequinade. Der schertzende Tritonus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann | F♯ Minor | 3 | 11A | 120 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Armide, LWV 71, Act I Scene 3: Armide est encore plus aimable (Hidraot, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Tomislav Lavoie, Marie Perbost, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Pallavicino: L'Antiope: "Vieni, corri, volami in braccio" (Antiope) | Carlo Pallavicino, Lea Desandre, Jupiter, Thomas Dunford | A♭ Major | 2 | 4B | 92 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Trio Sonata in D Major, D01: II. Andante | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Minor | 1 | 12A | 87 BPM |
Section: 0.606952428817749
End: 0.6112356185913086