The Stokes made "The Fat Cat" available on February 22, 1957. The duration of The Fat Cat is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Fat Cat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 50 in Everything I Do Gonh Be Funky (The Hit Songs & Productions 1957-1978) by Various Artists. Based on our statistics, The Fat Cat's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Fat Cat by The Stokes is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nearer to You - 2024 Remastered | Betty Harris | E Minor | 5 | 9A | 128 BPM | ||
Lock, Stock & Barrell | The Stokes | F Major | 4 | 7B | 110 BPM | ||
Good Love, Bad Love | Eddie Floyd | A Major | 7 | 11B | 80 BPM | ||
Rang Tang Ding Dong (I Am the Japanese Sandman) | The Cellos | F Major | 7 | 7B | 157 BPM | ||
No Strings Attached | The Mad Lads | G Major | 1 | 9B | 104 BPM | ||
Uptown | The Chambers Brothers | A Major | 5 | 11B | 122 BPM | ||
Crooked Woman | Edd Henry | B♭ Minor | 8 | 3A | 86 BPM | ||
Mama He Treats Your Daughter Mean | Ruth Brown | A♭ Major | 4 | 4B | 120 BPM | ||
Hey, Boy! Hey, Girl! | Louis Prima | A♭ Major | 4 | 4B | 110 BPM | ||
Leaving Here | Eddie Holland | F Major | 7 | 7B | 201 BPM |
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