Benjamin Bilse, WDR Rundfunkorchester Köln, Christian Simonis made "Sturm-Marsch Galopp, Op. 6" available on November 1, 2008. The duration of Sturm-Marsch Galopp, Op. 6 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sturm-Marsch Galopp, Op. 6's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Bilse: Waltzes, Marches & Polkas by Benjamin Bilse, WDR Rundfunkorchester Köln, Christian Simonis. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sturm-Marsch Galopp, Op. 6's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sturm-Marsch Galopp, Op. 6 by Benjamin Bilse, WDR Rundfunkorchester Köln, Christian Simonis is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amerika-Norge | The Band Of His Majesty The King's Guard | E♭ Major | 3 | 5B | 111 BPM | ||
Pariser Einzugsmarsch | Johann Heinrich Walch, The Admiralty Band of Leningrad Naval Base, Valentin Lyashchenko | E♭ Major | 3 | 5B | 89 BPM | ||
Coppélia (Excerpts): No. 20a, Valse des heures | Léo Delibes, Cologne New Philharmonic Orchestra, Volker Hartung | E♭ Major | 1 | 5B | 178 BPM | ||
Lyric Waltz from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | C Minor | 1 | 5A | 81 BPM | ||
Jesus Christ Superstar (Arr. by Willy Hautvast) | Andrew Lloyd Webber, Banda de Música da Força Aérea, Lt. Col. Élio Luís Salsinha Murcho | F Major | 2 | 7B | 92 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
Land of Hope and Glory, mother of the free (England) (arr. P. Breiner): England ["Land of Hope and Glory, mother of the free…"] | Peter Breiner, Edward Elgar, Slovak Radio Symphony Orchestra | G Major | 2 | 9B | 73 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
Song of the Legions | The Israel Army Band | B♭ Major | 8 | 6B | 123 BPM | ||
The Trumpets Of Jericho | German Brass | B♭ Major | 3 | 6B | 136 BPM |
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