"The Ecstasy Of Gold - From "The Good, the Bad and the Ugly"" by The City of Prague Philharmonic Orchestra was released on January 1, 1996. The duration of The Ecstasy Of Gold - From "The Good, the Bad and the Ugly" is about 3 minutes long, at 3:02. Based on our data, "The Ecstasy Of Gold - From "The Good, the Bad and the Ugly"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "The Misson: Classic Film Music of Ennio Morricone". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Ecstasy Of Gold - From "The Good, the Bad and the Ugly" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Ecstasy Of Gold - From "The Good, the Bad and the Ugly" by The City of Prague Philharmonic Orchestra having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Finghin Collins | D♭ Minor | 0 | 12A | 170 BPM | ||
Princess Leia's Theme - From "Star Wars: Episode IV - A New Hope" | The City of Prague Philharmonic Orchestra | G Minor | 2 | 6A | 97 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Ian Bostridge, Julius Drake | D♭ Major | 0 | 3B | 170 BPM | ||
Nocturne in E minor, Op. 72, No. 1 | Frédéric Chopin, Janusz Olejniczak | B Major | 0 | 1B | 64 BPM | ||
Swan Lake, Op. 21: Scene, Moderato | The City of Prague Philharmonic Orchestra | E Minor | 2 | 9A | 84 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
Into the West - From "The Lord of the Rings: The Return of the King" | The City of Prague Philharmonic Orchestra | G Major | 2 | 9B | 124 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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