Johann Sebastian Bach, Keith Jarrett made "Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857" available on April 25, 1988. The duration of Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 48 in Bach: Das Wohltemperierte Klavier - Buch I (BWV 846 - 869) by Johann Sebastian Bach, Keith Jarrett. Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F Minor, BWV 857 by Johann Sebastian Bach, Keith Jarrett is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio | A♭ Major | 0 | 4B | 111 BPM | ||
Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 | Brad Mehldau | D♭ Major | 3 | 3B | 129 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Deuxieme livre, Suite en Ré: I. Les tendres plaintes | Jean-Philippe Rameau, Alexander Paley | D Minor | 0 | 7A | 91 BPM | ||
Luftig | Bastian Pusch, Gisela Auspurg | D Minor | 1 | 7A | 57 BPM | ||
6 Piano Variations in F Major, Op. 34: Variation IV. Tempo di menuetto in E Major | Ludwig van Beethoven, Mikhail Pletnev | B♭ Major | 1 | 6B | 101 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Bach Invention in a Minor Bwv 784 | Lord Joseph Grammar | A Minor | 5 | 8A | 124 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM |
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