- BPM
- 169
- Key
- G Major
- Camelot
- 9B
ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET - STUTTGART QUARTET (PC) Information
- Acousticness
- 96%
- Danceability
- 9%
- Energy
- 6%
- Instrumentalness
- 80%
- Liveness
- 23%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 2%
- Loudness
- -27.978 dB
Summary
"ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET" by STUTTGART QUARTET (PC) was released on February 15, 1994. With ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. The popularity of ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET BPM
The tempo marking of ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET by STUTTGART QUARTET (PC) is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
ST. ANTHONY'S CHORALE FROM "EMPEROR" QUARTET Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | |
 | A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | |
 | String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | |
 | Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": III. Finale: Presto | Ludwig van Beethoven, Takako Nishizaki, Jenő Jandó | C Major | 1 | 8B | 101 BPM | |
 | Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 122 BPM | |
 | Paulli: The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore | Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 0 | 10B | 81 BPM | |
 | Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | |
 | Bruch: Violin Concerto No. 3 in D Minor, Op. 58: II. Adagio | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | |
 | Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Thema. Moderato semplice | Pyotr Ilyich Tchaikovsky, Jan Vogler | A Major | 0 | 11B | 66 BPM | |
 | Klavier-Quintett, A-Dur, op. 114, D 667: Andante | Caspar Da Salo Quintett | C Major | 0 | 8B | 104 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.881181001663208
End: 0.8856916427612305