- BPM
- 127
- Key
- D Major
- Camelot
- 10B
School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24 - Otakar Ševčík, Steven Staryk Information
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 43%
- Instrumentalness
- 94%
- Liveness
- 15%
- Loudness
- 85%
- Speechiness
- 4%
- Valence
- 52%
- Popularity
- 2%
- Loudness
- -9.167 dB
Summary
Otakar Ševčík, Steven Staryk made "School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24" available on March 2, 2018. The duration of School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24 is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 35 in A Retrospective, Vol. 11: Every Violinist's Guide by Steven Staryk. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24 BPM
The tempo marking of School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24 by Otakar Ševčík, Steven Staryk is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
School of Bowing Technique, Pt. 2, Op. 2: Var. 21 - Var. 24 Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | |
 | Une vie d'amour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | |
 | Nostalgia | José Siqueira, Guilherme Andreas, Gianne Ge Zhu | A♭ Minor | 2 | 1A | 74 BPM | |
 | Violin Sonata in E-Flat Major, Op. 18, TrV 151: II. Improvisation. Andante cantabile | Richard Strauss, Tasmin Little, Piers Lane | D♭ Minor | 0 | 12A | 77 BPM | |
 | Rimsky-Korsakov: Song of India | Su Shien-Ta, Yu Tsui-Ling | C Minor | 1 | 5A | 78 BPM | |
 | Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 99 BPM | |
 | Chin-chin (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | |
 | 2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | |
 | Violin Concerto in B-Flat Major, RV 583: II. Andante | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | B♭ Major | 3 | 6B | 94 BPM |
- ISRC
- US8271800283
- Label
- L-M Records/RCA Records
Section: 0.9350235462188721
End: 0.939812421798706