"Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Secondo" by Simon Gintzler, Joachim Held was released on May 28, 2021. The duration of Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Secondo is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Secondo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #36. Furthermore, we believe that the track originated from Germany. The popularity of Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Secondo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Secondo by Simon Gintzler, Joachim Held having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gray's Inn | Bülent Oral, Diego Leveric | E♭ Minor | 1 | 2A | 139 BPM | ||
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Lute Sonata No. 5 in G Major, WeissSW 5: I. Prelude | Silvius Leopold Weiss, José Miguel Moreno | A♭ Major | 2 | 4B | 113 BPM | ||
Suite in A Major: III. La pleureuse - Double | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
Lamentatio | Charles Bocquet, Joachim Held | B Minor | 1 | 10A | 98 BPM | ||
Toccata cromatica XII | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM |
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