Mass in C Minor, K. 427/417a: I. Kyrie
Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Camerata Würzburg, Süddeutsches Kammerorchester Pforzheim, Nicol Matt, Valentina Farcas, Annemarie Kremer, Jens Wollenschläger
Mozart: Sacred Choral Works, Vol. 1
7:26 2011
BPM
74
Key
C Minor
Camelot
5A

Embed

Share Link

Mass in C Minor, K. 427/417a: I. Kyrie - Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Camerata Würzburg, Süddeutsches Kammerorchester Pforzheim, Nicol Matt, Valentina Farcas, Annemarie Kremer, Jens Wollenschläger Information

Acousticness
97%
Danceability
11%
Energy
9%
Instrumentalness
22%
Liveness
7%
Loudness
68%
Speechiness
5%
Valence
4%
Popularity
Loudness
-19.03 dB

Summary

"Mass in C Minor, K. 427/417a: I. Kyrie" by Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Camerata Würzburg, Süddeutsches Kammerorchester Pforzheim, Nicol Matt, Valentina Farcas, Annemarie Kremer, Jens Wollenschläger had its release date on 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt's "Mozart: Sacred Choral Works, Vol. 1" album is number 86 out of 113. Mass in C Minor, K. 427/417a: I. Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in C Minor, K. 427/417a: I. Kyrie BPM

We consider the tempo marking of Mass in C Minor, K. 427/417a: I. Kyrie by Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Camerata Würzburg, Süddeutsches Kammerorchester Pforzheim, Nicol Matt, Valentina Farcas, Annemarie Kremer, Jens Wollenschläger to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mass in C Minor, K. 427/417a: I. Kyrie Key

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 17 in G Major, K. 453: III. Allegretto by Wolfgang Amadeus Mozart, Café Zimmermann, Pablo Valetti, Alexander MelnikovPiano Concerto No. 17 in G Major, K. 453: III. AllegrettoWolfgang Amadeus Mozart, Café Zimmermann, Pablo Valetti, Alexander MelnikovD Major210B71 BPM
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso by Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto MartiniViolin Concerto in D Major, RV 228: I. Allegro non troppo ma vigorosoAntonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto MartiniD Major210B123 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
18 Études, Op. 109: No. 7, Berceuse by Franz Burgmüller, Carl Petersson18 Études, Op. 109: No. 7, BerceuseFranz Burgmüller, Carl PeterssonF Major07B85 BPM
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaKeyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di moltoCarl Philipp Emanuel Bach, Ana-Marija MarkovinaA Major111B0 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) by Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony OrchestraRachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile)Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony OrchestraD♭ Major13B61 BPM
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon BakerDer Stein der Weisen, Act I: Chorus and Solo. Welch reizende MusikWolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon BakerE♭ Major25B77 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat MajorJohannes Brahms, Idil BiretA♭ Minor31A111 BPM
7 Variations on an original theme, Op. 9, J. 55: Andante by Carl Maria von Weber, Michael Endres7 Variations on an original theme, Op. 9, J. 55: AndanteCarl Maria von Weber, Michael EndresF Major07B121 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records