"Beati quorum via, from Three Motets, Op. 38" by Charles Villiers Stanford was released on November 1, 2003. The duration of Beati quorum via, from Three Motets, Op. 38 is about 3 minutes long, at 3:05. Based on our data, "Beati quorum via, from Three Motets, Op. 38" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "O Taste and See". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Beati quorum via, from Three Motets, Op. 38's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beati quorum via, from Three Motets, Op. 38 by Charles Villiers Stanford having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 129 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Moonlit Melody | SERRENTO | A Minor | 0 | 8A | 90 BPM | ||
6 Sketches "Primary": No. 5, Lullaby | Charles Villiers Stanford, Christopher Howell | B♭ Major | 1 | 6B | 96 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
Good Night, Dear Heart | Dan Forrest, Seraphic Fire, Patrick Dupre Quigley | B Major | 1 | 1B | 126 BPM | ||
Evening Prayer | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Ted Belledin | A Major | 0 | 11B | 133 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
There Will Be Rest | John Alexander, Pacific Chorale | E♭ Major | 1 | 5B | 81 BPM |
Section: 0.5648877620697021
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