Wolfgang Amadeus Mozart, Jan Sparring, Birgit Nordin, Busk Margit Jonsson, Anna-Greta Soderholm, Ingvar Wixell, Arne Wiren, Judith Garellick, Sven-Erik Vikstrom, Bo Lundborg, Royal Stockholm Philharmonic Orchestra, Lars af Malmborg's 'Le nozze di Figaro, K. 492: Act I: Non so più cosa son, cosa faccio' came out on January 1, 2006. The duration of Le nozze di Figaro, K. 492: Act I: Non so più cosa son, cosa faccio is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Le nozze di Figaro, K. 492: Act I: Non so più cosa son, cosa faccio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Various Artists, Herbert Sandberg, Lars af Malmborg, Michael Gielen's "Mozart: Le nozze di figaro, Don Giovanni & Die Zauberflöte (Recorded 1952-1967) [Sung in Swedish]" album is number 16 out of 35. On top of that, Sweden appears to be the country where this track was created. Le nozze di Figaro, K. 492: Act I: Non so più cosa son, cosa faccio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K. 492: Act I: Non so più cosa son, cosa faccio by Wolfgang Amadeus Mozart, Jan Sparring, Birgit Nordin, Busk Margit Jonsson, Anna-Greta Soderholm, Ingvar Wixell, Arne Wiren, Judith Garellick, Sven-Erik Vikstrom, Bo Lundborg, Royal Stockholm Philharmonic Orchestra, Lars af Malmborg to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM |
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