"Symphony No. 4 in F Minor, Op. 36, TH. 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo" by Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky was released on January 1, 1961. Symphony No. 4 in F Minor, Op. 36, TH. 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Tchaikovsky: Symphonies Nos.4, 5 & 6 "Pathetique"". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Symphony No. 4 in F Minor, Op. 36, TH. 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in F Minor, Op. 36, TH. 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo by Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | ||
Piano Concerto in F sharp minor, Op.20: 1. Allegro | Alexander Scriabin, Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | F♯ Minor | 1 | 11A | 86 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 61 BPM | ||
Piano Concerto No. 1 in F sharp minor, Op. 1: 3. Allegro vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | F Minor | 1 | 4A | 122 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
String Quartet No.2 in D: 4. Finale | Alexander Borodin, Emerson String Quartet | D Major | 2 | 10B | 145 BPM |
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