"On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 6. Words Fail!" by Leoš Janáček, Camerata Zürich, Igor Karsko was released on November 26, 2021. With On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 6. Words Fail! being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maia Brami, Camerata Zürich, Igor Karsko, Leoš Janáček's "Leoš Janáček: On An Overgrown Path" album is number 7 out of 27. In terms of popularity, On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 6. Words Fail! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 6. Words Fail! by Leoš Janáček, Camerata Zürich, Igor Karsko to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
48 Esquisses, Op. 63, Book 1: No. 1, La vision | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 127 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
On the Overgrown Path, Series I: No. 1, Our Evenings. Moderato - Tenderly | Leoš Janáček, Ivan Klansky | D Major | 2 | 10B | 98 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Jenufa / Act 1: A tak bychom sli celym zivotem | Leoš Janáček, Elisabeth Söderström, Eva Randová, Marie Mrazova, Wiesław Ochman, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 92 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM |
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