On 1933, the song "Twenty-Four Hours a Day (feat. Billie Holiday) - Take 1" was released by Teddy Wilson, Billie Holiday. The duration of Twenty-Four Hours a Day (feat. Billie Holiday) - Take 1 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Twenty-Four Hours a Day (feat. Billie Holiday) - Take 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Billie Holiday's "Lady Day: The Complete Billie Holiday On Columbia (1933-1944)" album is number 10 out of 230. On top of that, United States appears to be the country where this track was created. In terms of popularity, Twenty-Four Hours a Day (feat. Billie Holiday) - Take 1 is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Twenty-Four Hours a Day (feat. Billie Holiday) - Take 1 by Teddy Wilson, Billie Holiday to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Paradise | Otis Williams | F Minor | 4 | 4A | 166 BPM | ||
What a Little Moonlight Can Do (with Teddy Wilson & His Orchestra) | Billie Holiday, Teddy Wilson | G Major | 5 | 9B | 135 BPM | ||
For Lena And Lennie | Quincy Jones | C Major | 1 | 8B | 73 BPM | ||
West End Blues | Charlie Barnet, Charlie Barnet & His Orchestra | D♭ Major | 3 | 3B | 80 BPM | ||
I'm A Fool To Want | Art Farmer | E Minor | 0 | 9A | 62 BPM | ||
(How Little It Matters) How Little We Know | Chris Connor | F Major | 3 | 7B | 115 BPM | ||
Ghost of a Chance | Lennie Tristano | C Major | 0 | 8B | 81 BPM | ||
Misty | Ray Bryant | F♯ Minor | 1 | 11A | 124 BPM | ||
Love for Sale | Ernestine Anderson | A♭ Major | 7 | 4B | 110 BPM | ||
Now's The Time | Charlie Parker Quartet | F Major | 5 | 7B | 100 BPM |
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